• Home
  • Books Directory
  • Most Popular
  • Top Authors
  • Series
  • Romance
  • Fantasy
  • Vampire
  • Home > C.S.Lewis > Chronicles of Narnia > The Silver Chair (Page 19)     
    The Silver Chair(Chronicles of Narnia #4) by C.S.Lewis
    Advertisement

    Instantly every head was bared and every knee was bent; a moment later such cheering and shouting, such jumps and reels of joy, such hand-shakings and kissings and embracings of everybody by everybody else broke out that the tears came into Jill's eyes. Their quest had been worth all the pains it cost.

    "Please it your Highness," said the oldest of the Dwarfs, "there is some attempt at a supper in the cave yonder, prepared against the ending of the snow-dance - "

    "With a good will, Father," said the Prince. "For never had any Prince, Knight, Gentleman, or Bear so good a stomach to his victuals as we four wanderers have tonight."

    The whole crowd began to move away through the trees towards the cave. Jill heard Puddleglum saying to those who pressed round him. "No, no, my story can wait.

    Nothing worth talking about has happened to me. I want to hear the news. Don't try breaking it to me gently, for I'd rather have it all at once. Has the King been shipwrecked? Any forest fires? No wars on the Calormen border? Or a few dragons, I shouldn't wonder?" And all the creatures laughed aloud and said, "Isn't that just like a Marshwiggle?"

    The two children were nearly dropping with tiredness and hunger, but the warmth of the cave, and the very sight of it, with the firelight dancing on the walls and dressers and cups and saucers and plates and on the smooth stone floor, just as it does in a farmhouse kitchen, revived them a little. All the same they went fast asleep while supper was being got ready. And while they slept Prince Rilian was talking over the whole adventure with the older and wiser Beasts and Dwarfs. And now they all saw what it meant; how a wicked Witch (doubtless the same kind as that White Witch who had brought the Great Winter on Narnia long ago) had contrived the whole thing, first killing Rilian's mother and enchanting Rilian himself. And they saw how she had dug right under Narnia and was going to break out and rule it through Rilian: and how he had never dreamed that the country of which she would make him king (king in name, but really her slave) was his own country. And from the children's part of the story they saw how she was in league and friendship with the dangerous giants of Harfang. "And the lesson of it all is, your Highness," said the oldest Dwarf, "that those Northern Witches always mean the same thing, but in every age they have a different plan for getting it."

    CHAPTER SIXTEEN

    THE HEALING OF HARMS

    WHEN Jill woke next morning and found herself in a cave, she thought for one horrid moment that she was back in the Underworld. But when she noticed that she was lying on a bed of heather with a furry mantle over her, and saw a cheery fire crackling (as if newly lit) on a stone hearth and, farther off, morning sunlight coming in through the cave's mouth, she remembered all the happy truth. They had had a delightful supper, all crowded into that cave, in spite of being so sleepy before it was properly over. She had a vague impression of Dwarfs crowding round the fire with frying-pans rather bigger than themselves, and the hissing, and delicious smell of sausages, and more, and more, and more sausages. And not wretched sausages half full of bread and soya bean either, but real meaty, spicy ones, fat and piping hot and burst and just the tiniest bit burnt. And great mugs of frothy chocolate, and roast potatoes and roast chestnuts, and baked apples with raisins stuck in where the cores had been, and then ices just to freshen you up after all the hot things.

    Jill sat up and looked around. Puddleglum and Eustace were lying not far away, both fast asleep.

    "Hi, you two!" shouted Jill in a loud voice. "Aren't you ever going to get up?"

    "Shoo, shoo!" said a sleepy voice somewhere above her. "Time to be settling down. Have a good snooze, do, do. Don't make a to-do. Tu-whoo!"

    "Why, I do believe," said Jill, glancing up at a white bundle of fluffy feathers which was perched on top of a grandfather clock in one corner of the cave, "I do believe it's Glimfeather!"

    "True, true," whirred the Owl, lifting its head out from under its wing and opening one eye. "I came up with a message for the Prince at about two. The squirrels brought us the good news. Message for the Prince. He's gone. You're to follow too. Good-day - " and the head disappeared again.

    As there seemed no further hope of getting any information from the Owl, Jill got up and began looking round for any chance of a wash and some breakfast. But almost at once a little Faun came trotting into the cave with a sharp click-clack of his goaty hoofs on the stone floor.

    "Ah! You've woken up at last, Daughter of Eve," he said. "Perhaps you'd better wake the Son of Adam. You've got to be off in a few minutes and two Centaurs have very kindly offered to let you ride on their backs down to Cair Paravel." He added in a lower voice. "Of course, you realize it is a most special and unheard-of honour to be allowed to ride a Centaur. I don't know that I ever heard of anyone doing it before. It wouldn't do to keep them waiting."

    "Where's the Prince?" was the first question of Eustace and Puddleglum as soon as they had been wakened.

    "He's gone down to meet the King, his father, at Cair Paravel," answered the Faun, whose name was Orruns. "His Majesty's ship is expected in harbour any moment. It seems that the King met Aslan - I don't know whether it was in a vision or face to face - before he had sailed far, and Aslan turned him back and told him he would find his long-lost son awaiting him when he reached Narnia."

    Eustace was now up and he and Jill set about helping Orruns to get the breakfast. Puddleglum was told to stay in bed. A Centaur called Cloudbirth, a famous healer, or (as Orruns called it) a 'leech', was coming to see to his burnt foot.

    "Ah!" said Puddleglum in a tone almost of contentment, "he'll want to have the leg off at the knee, I shouldn't wonder. You see if he doesn't." But he was quite glad to stay in bed.

    Breakfast was scrambled eggs and toast and Eustace tackled it just as if he had not had a very large supper in the middle of the night.

    "I say, Son of Adam," said the Faun, looking with a certain awe at Eustace's mouthfuls. "There's no need to hurry quite so dreadfully as that. I don't think the Centaurs have quite finished their breakfasts yet."

    "Then they must have got up very late," said Eustace. "I bet it's after ten o'clock."

    "Oh no," said Orruns. "They got up before it was light."

    "Then they must have waited the dickens of a time for breakfast," said Eustace.

    "No, they didn't," said Orruns. "They began eating the minute they awoke."

    "Golly!" said Eustace. "Do they eat a very big breakfast?"

    "Why, Son of Adam, don't you understand? A Centaur has a man-stomach and a horse-stomach. And of course both want breakfast. So first of all he has porridge and pavenders and kidneys and bacon and omelette and cold ham and toast and marmalade and coffee and beer. And after that he attends to the horse part of himself by grazing for an hour or so and finishing up with a hot mash, some oats, and a bag of sugar. That's why it's such a serious thing to ask a Centaur to stay for the week-end. A very serious thing indeed."

    At that moment there was a sound of horse-hoofs tapping on rock from the mouth of the cave, and the children looked up. The two Centaurs, one with a black and one with a golden beard flowing over their magnificent bare chests, stood waiting for them, bending their heads a little so as to look into the cave. Then the children became very polite and finished their breakfast very quickly. No one thinks a Centaur funny when he sees it. They are solemn, majestic people, full of ancient wisdom which they learn from the stars, not easily made either merry or angry; but their anger is terrible as a tidal wave when it comes.

    "Good-bye, dear Puddleglum," said Jill, going over to the Marsh-wiggle's bed. "I'm sorry we called you a wet blanket."

    "So'm I," said Eustace. "You've been the best friend in the world."

    "And I do hope we'll meet again," added Jill.

    "Not much chance of that, I should say," replied Puddleglum. "1 don't reckon I'm very likely to see my old wigwam again either. And that Prince - he's a nice chap - but do you think he's very strong? Constitution ruined with living underground, I shouldn't wonder. Looks the sort that might go off any day."

    "Puddleglum!" said Jill. "You're a regular old humbug. You sound as doleful as a funeral and I believe you're perfectly happy. And you talk as if you were afraid of everything, when you're really as brave as-as a lion."

    "Now, speaking of funerals," began Puddleglum, but Jill, who heard the Centaurs tapping with their hoofs behind her, surprised him very much by flinging her arms round his thin neck and kissing his muddy-looking face, while Eustace wrung his hand. Then they both rushed away to the Centaurs, and the Marsh-wiggle, sinking back on his bed, remarked to himself, "Well, I wouldn't have dreamt of her doing that. Even though I am a good-looking chap."

    To ride on a Centaur is, no doubt, a great honour (and except Jill and Eustace there is probably no one alive in the world today who has had it) but it is very uncomfortable. For no one who valued his life would suggest putting a saddle on a Centaur, and riding bare-back is no fun; especially if, like Eustace, you have never learned to ride at all. The Centaurs were very polite in a grave, gracious, grown-up kind of way, and as they cantered through the Narnian woods they spoke, without turning their heads, telling the children about the properties of herbs and roots, the influences of the planets, the nine names of Aslan with their meanings, and things of that sort. But however sore and jolted the two humans were, they would now give anything to have that journey over again: to see those glades and slopes sparkling with last night's snow, to be met by rabbits and squirrels and birds that wished you good morning, to breathe again the air of Narnia and hear the voices of the Narnian trees.

    They came down to the river, flowing bright and blue in winter sunshine, far below the last bridge (which is at the snug, red-roofed little town of Beruna) and were ferried across in a flat barge by the ferryman; or rather, by the ferry-wiggle, for it is Marsh-wiggles who do most of the watery and fishy kinds of work in Narnia. And when they had crossed they rode along the south bank of the river and presently came to Cair Paravel itself. And at the very moment of their arrival they saw that same bright ship which they had seen when they first set foot in Narnia, gliding up the river like a huge bird. All the court were once more assembled on the green between the castle and the quay to welcome King Caspian home again. Rilian, who had changed his black clothes and was now dressed in a scarlet cloak over silver mail, stood close to the water's edge, bare-headed, to receive his father; and the Dwarf Trumpkin sat beside him in his little donkey-chair. The children saw there would be no chance of reaching the Prince through all that crowd, and, anyway, they now felt rather shy. So they asked the Centaurs if they might go on sitting on their backs a little longer and thus see everything over the heads of the courtiers. And the Centaurs said they might.

    A flourish of silver trumpets came over the water from the ship's deck: the sailors threw a rope; rats (Talking Rats, of course) and Marsh-wiggles made it fast ashore; and the ship was warped in. Musicians, hidden somewhere in the crowd, began to play solemn, triumphal music. And soon the King's galleon was alongside and the Rats ran the gangway on board her.

    Jill expected to see the old King come down it. But there appeared to be some hitch. A Lord with a pale face came ashore and knelt to the Prince and to Trumpkin. The three were talking with their heads close together for a few minutes, but no one could hear what they said. The music played on, but you could feel that everyone was becoming uneasy. Then four Knights, carrying something and going very slowly, appeared on deck. When they started to come down the gangway you could see what they were carrying: it was the old King on a bed, very pale and still. They set him down. The Prince knelt beside him and embraced him. They could see King Caspian raising his hand to bless his son. And everyone cheered, but it was a half-hearted cheer, for they all felt that something was going wrong. Then suddenly the King's head fell back upon his pillows, the musicians stopped and there was a dead silence. The Prince, kneeling by the King's bed, laid down his head upon it and wept.

    There were whisperings and goings to and fro. Then Jill noticed that all who wore hats, bonnets, helmets, or hoods were taking them off - Eustace included. Then she heard a rustling and flapping noise up above the castle; when she looked she saw that the great banner with the golden Lion on it was being brought down to half-mast. And after that, slowly, mercilessly, with wailing strings and disconsolate blowing of horns, the music began again: this time, a tune to break your heart.

    They both slipped off their Centaurs (who took no notice of them).

    "I wish I was at home," said Jill.

    Eustace nodded, saying nothing, and bit his lip.

    "I have come," said a deep voice behind them. They turned and saw the Lion himself, so bright and real and strong that everything else began at once to look pale and shadowy compared with him. And in less time than it takes to breathe Jill forgot about the dead King of Narnia and remembered only how she had made Eustace fall over the cliff, and how she had helped to muff nearly all the signs, and about all the snappings and quarrellings. And she wanted to say "I'm sorry" but she could not speak. Then the Lion drew them towards him with his eyes, and bent down and touched their pale faces with his tongue, and said:

    "Think of that no more. I will not always be scolding. You have done the work for which I sent you into Narnia."

    "Please, Aslan," said Jill, "may we go home now?"

    "Yes. I have come to bring you Home," said Aslan. Then he opened his mouth wide and blew. But this time they had no sense of flying through the air: instead, it seemed that they remained still, and the wild breath of Aslan blew away the ship and the dead King and the castle and the snow and the winter sky. For all these things floated off into the air like wreaths of smoke, and suddenly they were standing in a great brightness of mid-summer sunshine, on smooth turf, among mighty trees, and beside a fair, fresh stream.

    Advertisement