|Home > Frank Herbert > Dune Series > Dune Messiah (Chapter Seventeen)|
|Dune Messiah(Dune Series #2) by Frank Herbert|
The temple portico was lined with tall, slender glow-tubes simulating candle flame. They flickered. The flickering stirred ancestral memories in Paul even while he knew that was the intent. This setting was an atavism, subtly contrived, effective. He hated his own hand in it.
The crowd flowed with him through tall metal doors into the gigantic nave, a gloomy place with the flickering lights far away overhead, a brilliantly illuminated altar at the far end. Behind the altar, a deceptively simple affair of black wood encrusted with sand patterns from the Fremen mythology, hidden lights played on the field of a pru-door to create a rainbow borealis. The seven rows of chanting acolytes ranked below that spectral curtain took on an eerie quality: black robes, white faces, mouths moving in unison.
Paul studied the pilgrims around him, suddenly envious of their intentness, their air of listening to truths he could not hear. It seemed to him that they gained something here which was denied to him, something mysteriously healing.
He tried to inch his way closer to the altar, was stopped by a hand on his arm. Paul whipped his gaze around, met the probing stare of an ancient Fremen - blue-blue eyes beneath overhanging brows, recognition in them. A name flashed into Paul's mind: Rasir, a companion from the sietch days.
In the press of the crowd, Paul knew he was completely vulnerable if Rasir planned violence.
The old man pressed close, one hand beneath a sand-grimed robe - grasping the hilt of a crysknife, no doubt. Paul set himself as best he could to resist attack. The old man moved his head toward Paul's ear, whispered: "We will go with the others."
It was the signal to identify his guide. Paul nodded.
Rasir drew back, faced the altar.
"She comes from the east," the acolytes chanted. "The sun stands at her back. All things are exposed. In the full glare of light - her eyes miss no thing, neither light nor dark."
A wailing rebaba jarred across the voices, stilled them, receded into silence. With an electric abruptness, the crowd surged forward several meters. They were packed into a tight mass of flesh now, the air heavy with their breathing and the scent of spice.
"Shai-hulud writes on clean sand!" the acolytes shouted.
Paul felt his own breath catch in unison with those around him. A feminine chorus began singing faintly from the shadows behind the shimmering pru-door: "Alia... Alia... Alia... " It grew louder and louder, fell to a sudden silence.
Again - voices beginning vesper-soft:
"She stills all storms -
Her eyes kill our enemies,
And torment the unbelievers.
From the spires of Tuono
Where dawnlight strikes
And clear water runs,
You see her shadow.
In the shining summer heat
She serves us bread and milk -
Cool, fragrant with spices.
Her eyes melt our enemies,
Torment our oppressors
And pierce all mysteries.
She is Alia... Alia... Alia... "
Slowly, the voices trailed off.
Paul felt sickened. What are we doing? he asked himself. Alia was a child witch, but she was growing older. And he thought: Growing older is to grow more wicked.
The collective mental atmosphere of the temple ate at his psyche. He could sense that element of himself which was one with those all around him, but the differences formed a deadly contradiction. He stood immersed, isolated in a personal sin which he could never expiate. The immensity of the universe outside the temple flooded his awareness. How could one man, one ritual, hope to knit such immensity into a garment fitted to all men?
The universe opposed him at every step. It eluded his grasp, conceived countless disguises to delude him. That universe would never agree with any shape he gave it.
A profound hush spread through the temple.
Alia emerged from the darkness behind the shimmering rainbows. She wore a yellow robe trimmed in Atreides green - yellow for sunlight, green for the death which produced life. Paul experienced the sudden surprising thought that Alia had emerged here just for him, for him alone. He stared across the mob in the temple at his sister. She was his sister. He knew her ritual and its roots, but he had never before stood out here with the pilgrims, watched her through their eyes. Here, performing the mystery of this place, he saw that she partook of the universe which opposed him.
Acolytes brought her a golden chalice.
Alia raised the chalice.
With part of his awareness, Paul knew that the chalice contained the unaltered melange, the subtle poison, her sacrament of the oracle.
Her gaze on the chalice, Alia spoke. Her voice caressed the ears, flower sound, flowing and musical:
"In the beginning, we were empty," she said.
"Ignorant of all things," the chorus sang.
"We did not know the Power that abides in every place," Alia said.
"And in every Time " the chorus sang.
"Here is the Power," Alia said, raising the chalice slightly.
"It brings us joy," sang the chorus.
And it brings us distress, Paul thought.
"It awakens the soul," Alia said.
"It dispels all doubts," the chorus sang.
"In worlds, we perish," Alia said.
"In the Power, we survive," sang the chorus.
Alia put the chalice to her lips, drank.
To his astonishment, Paul found he was holding his breath like the meanest pilgrim of this mob. Despite every shred of personal knowledge about the experience Alia was undergoing, he had been caught in the tao-web. He felt himself remembering how that fiery poison coursed into the body. Memory unfolded the time-stopping when awareness became a mote which changed the poison. He reexperienced the awakening into timelessness where all things were possible. He knew Alia's present experience, yet he saw now that he did not know it. Mystery blinded the eyes.
Alia trembled, sank to her knees.
Paul exhaled with the enraptured pilgrims. He nodded. Part of the veil began to lift from him. Absorbed in the bliss of a vision, he had forgotten that each vision belonged to all those who were still on-the-way, still to become. In the vision, one passed through a darkness, unable to distinguish reality from insubstantial accident. One hungered for absolutes which could never be.
Hungering, one lost the present.
Alia swayed with the rapture of spice change.
Paul felt that some transcendental presence spoke to him, saying: "Look! See there! See what you've ignored?" In that instant, he thought he looked through other eyes, that he saw an imagery and rhythm in this place which no artist or poet could reproduce. It was vital and beautiful, a glaring light that exposed all power-gluttony... even his own.
Alia spoke. Her amplified voice boomed across the nave.
"Luminous night," she cried.
A moan swept like a wave through the crush of pilgrims.
"Nothing hides in such a night!" Alia said. "What rare light is this darkness? You cannot fix your gaze upon it! Senses cannot record it. No words describe it." Her voice lowered. "The abyss remains. It is pregnant with all the things yet to be. Ahhhhh, what gentle violence!"
Paul felt that he waited for some private signal from his sister. It could be any action or word, something of wizardry and mystical processes, an outward streaming that would fit him like an arrow into a cosmic bow. This instant lay like quivering mercury in his awareness.
"There will be sadness," Alia intoned. "I remind you that all things are but a beginning, forever beginning. Worlds wait to be conquered. Some within the sound of my voice will attain exalted destinies. You will sneer at the past, forgetting what I tell you now: within all differences there is unity."
Paul suppressed a cry of disappointment as Alia lowered her head. She had not said the thing he waited to hear. His body felt like a dry shell, a husk abandoned by some desert insect.
Others must feel something similar, he thought. He sensed the restlessness about him. Abruptly, a woman in the mob, someone far down in the nave to Paul's left, cried out, a wordless noise of anguish.
Alia lifted her head and Paul had the giddy sensation that the distance between them collapsed, that he stared directly into her glazed eyes - only inches away from her.
"Who summons me?" Alia asked.
"I do," the woman cried. "I do, Alia. Oh, Alia, help me. They say my son was killed on Muritan. Is he gone? Will I never see my son again... never?"
"You try to walk backward in the sand," Alia intoned. "Nothing is lost. Everything returns later, but you may not recognize the changed form that returns."
"Alia, I don't understand!" the woman wailed.
"You live in the air but you do not see it," Alia said, sharpness in her voice. "Are you a lizard? Your voice has the Fremen accent. Does a Fremen try to bring back the dead? What do we need from our dead except their water?"
Down in the center of the nave, a man in a rich red cloak lifted both hands, the sleeves falling to expose white-clad arms. "Alia," he shouted, "I have had a business proposal. Should I accept?"
"You come here like a beggar," Alia said. "You look for the golden bowl but you will find only a dagger."
"I have been asked to kill a man!" a voice shouted from off to the right - a deep voice with sietch tones. "Should I accept? Accepting, would I succeed?"
"Beginning and end are a single thing," Alia snapped. "Have I not told you this before? You didn't come here to ask that question. What is it you cannot believe that you must come here and cry out against it?"
"She's in a fierce mood tonight," a woman near Paul muttered. "Have you ever seen her this angry?"
She knows I'm out here, Paul thought. Did she see something in the vision that angered her? Is she raging at me?
"Alia," a man directly in front of Paul called. "Tell these businessmen and faint-hearts how long your brother will rule!"
"I permit you to look around that corner by yourself," Alia snarled. "You carry your prejudice in your mouth! It is because my brother rides the worm of chaos that you have roof and water!"
With a fierce gesture, clutching her robe, Alia whirled away, strode through the shimmering ribbons of light, was lost in the darkness behind.
Immediately, the acolytes took up the closing chant, but their rhythm was off. Obviously, they'd been caught by the unexpected ending of the rite. An incoherent mumbling arose on all sides of the crowd. Paul felt the stirring around him - restless, dissatisfied.
"It was that fool with his stupid question about business," a woman near Paul muttered. "The hypocrite!"
What had Alia seen? What track through the future?
Something had happened here tonight, souring the rite of the oracle. Usually, the crowd clamored for Alia to answer their pitiful questions. They came as beggars to the oracle, yes. He had heard them thus many times as he'd watched, hidden in the darkness behind the altar. What had been different about this night?
The old Fremen tugged Paul's sleeve, nodded toward the exit. The crowd already was beginning to push in that direction. Paul allowed himself to be pressed along with them, the guide's hand upon his sleeve. There was the feeling in him then that his body had become the manifestation of some power he could no longer control. He had become a non-being, a stillness which moved itself. At the core of the non-being, there he existed, allowing himself to be led through the streets of his city, following a track so familiar to his visions that it froze his heart with grief,
I should know what Alia saw, bethought, I have seen it enough times myself. And she didn't cry out against it... she saw the alternatives, too.
= = = = = =
Production growth and income growth must not get out of step in my Empire. That is the substance of my command. There are to be no balance-of-payment difficulties between the different spheres of influence. And the reason for this is simply because I command it. I want to emphasize my authority in this area. I am the supreme energy-eater of this domain, and will remain so, alive or dead. My Government is the economy. -Order in Council The Emperor Paul Muad'dib
"I will leave you here," the old man said, taking his hand from Paul's sleeve. "It is on the right, second door from the far end. Go with Shai-hulud, Muad'dib... and remember when you were Usul."
Paul's guide slipped away into the darkness.
There would be Security men somewhere out there waiting to grab the guide and take the man to a place of questioning, Paul knew. But Paul found himself hoping the old Fremen would escape.
There were stars overhead and the distant light of First Moon somewhere beyond the Shield Wall. But this place was not the open desert where a man could sight on a star to guide his course. The old man had brought him into one of the new suburbs; this much Paul recognized.
This street now was thick with sand blown in from encroaching dunes. A dim light glowed from a single public suspensor globe far down the street. It gave enough illumination to show that this was a dead-end street.
The air around him was thick with the smell of a reclamation still. The thing must be poorly capped for its fetid odors to escape, loosing a dangerously wasteful amount of moisture into the night air. How careless his people had grown, Paul thought. They were millionaires of water - forgetful of the days when a man on Arrakis could have been killed for just an eighth share of the water in his body.
Why am I hesitating? Paul wondered. It is the second door from the far end. I knew that without being told. But this thing must be played out with precision. So... I hesitate.
The noise of an argument arose suddenly from the corner house on Paul's left. A woman there berated someone: the new wing of their house leaked dust, she complained. Did he think water fell from heaven? If dust came in, moisture got out.
Some remember, Paul thought.
He moved down the street and the quarrel faded away behind.
Water from heaven! he thought.
Some Fremen had seen that wonder on other worlds. He had seen it himself, had ordered it for Arrakis, but the memory of it felt like something that had occurred to another person. Rain, it was called. Abruptly, he recalled a rainstorm on his birthworld - clouds thick and gray in the sky of Caladan, an electric storm presence, moist air, the big wet drops drumming on skylights. It ran in rivulets off the eaves. Storm drains took the water away to a river which ran muddy and turgid past the Family orchards... trees there with their barren branches glistening wetly.
Paul's foot caught in a low drift of sand across the street. For an instant, he felt mud clinging to the shoes of his childhood. Then he was back in the sand, in the dust-clotted, wind-muffled darkness with the Future hanging over him, taunting. He could feel the aridity of life around him like an accusation. You did this! They'd become a civilization of dry-eyed watchers and taletellers, people who solved all problems with power... and more power... and still more power - hating every erg of it.
Rough stones came underfoot. His vision remembered them. The dark rectangle of a doorway appeared on his right - black in black: Otheym's house. Fate's house, a place different from the ones around it only in the role Time had chosen for it. It was a strange place to be marked down in history.
The door opened to his knock. The gap revealed the dull green light of an atrium. A dwarf peered out, ancient face on a child's body, an apparition prescience had never seen.
"You've come then," the apparition said. The dwarf stepped aside, no awe in his manner, merely the gloating of a slow smile. "Come in! Come in!"
Paul hesitated. There'd been no dwarf in the vision, but all else remained identical. Visions could contain such disparities and still hold true to their original plunge into infinity. But the difference dared him to hope. He glanced back up the street at the creamy pearl glistening of his moon swimming out of jagged shadows. The moon haunted him. How did it fall?
"Come in," the dwarf insisted.
Paul entered, heard the door thud into its moisture seals behind. The dwarf passed him, led the way, enormous feet slapping the floor, opened the delicate lattice gate into the roofed central courtyard, gestured. "They await, Sire."
Sire, Paul thought. He knows me, then.
Before Paul could explore this discovery, the dwarf slipped away down a side passage. Hope was a dervish wind whirling, dancing in Paul. He headed across the courtyard. It was a dark and gloomy place, the smell of sickness and defeat in it. He felt daunted by the atmosphere. Was it defeat to choose a lesser evil? he wondered. How far down this track had he come?
Light poured from a narrow doorway in the far wall. He put down the feeling of watchers and evil smells, entered the doorway into a small room. It was a barren place by Fremen standards with heireg hangings on only two walls. Opposite the door, a man sat on carmine cushions beneath the best hanging. A feminine figure hovered in shadows behind another doorway in a barren wall to the left.
Paul felt vision-trapped. This was the way it'd gone. Where was the dwarf? Where was the difference?
His senses absorbed the room in a single gestalten sweep. The place had received painstaking care despite its poor furnishings. Hooks and rods across the barren walls showed where hangings had been removed. Pilgrims paid enormous prices for authentic Fremen artifacts, Paul reminded himself. Rich pilgrims counted desert tapestries as treasures, true marks of a hajj.
Paul felt that the barren walls accused him with their fresh gypsum wash. The threadbare condition of the two remaining hangings amplified the sense of guilt.
A narrow shelf occupied the wall on his right. It held a row of portraits - mostly bearded Fremen, some in still-suits with their catchtubes dangling, some in Imperial uniforms posed against exotic offworld backgrounds. The most common scene was a seascape.
The Fremen on cushions cleared his throat, forcing Paul to look at him. It was Otheym precisely as the vision had revealed him: neck grown scrawny, a bird thing which appeared too weak to support the large head. The face was a lopsided ruin - networks of crisscrossed scars on the left cheek below a drooping, wet eye, but clear skin on the other side and a straight, blue-in-blue Fremen gaze. A long kedge of a nose bisected the face.
Otheym's cushion sat in the center of a threadbare rug, brown with maroon and gold threads. The cushion fabric betrayed splotches of wear and patching, but every bit of metal around the seated figure shone from polishing - the portrait frames, shelf lip and brackets, the pedestal of a low table on the right.
Paul nodded to the clear half of Otheym's face, said: "Good luck to you and your dwelling place." It was the greeting of an old friend and sietch mate.
"So I see you once more, Usul."
The voice speaking his tribal name whined with an old man's quavering. The dull drooping eye on the ruined side of the face moved above the parchment skin and scars. Gray bristles stubbled that side and the jawline there hung with scabrous peelings. Otheym's mouth twisted as he spoke, the gap exposing silvery metal teeth.
"Muad'dib always answers the call of a Fedaykin," Paul said.
The woman in the doorway shadows moved, said: "So Stilgar boasts."
She came forward into the light, an older version of the Lichna which the Face Dancer had copied. Paul recalled then that Otheym had married sisters. Her hair was gray, nose grown witch-sharp. Weavers' calluses ran along her forefingers and thumbs. A Fremen woman would've displayed such marks proudly in the sietch days, but she saw his attention on her hands, hid them under a fold of her pale blue robe.
Paul remembered her name then - Dhuri. The shock was he remembered her as a child, not as she'd been in his vision of these moments. It was the whine that edged her voice, Paul told himself. She'd whined even as a child.
"You see me here," Paul said. "Would I be here if Stilgar hadn't approved?" He turned toward Otheym. "I carry your water burden, Otheym. Command me."
This was the straight Fremen talk of sietch brothers.